![]() ![]() It comes accompanied by a thousand-word poem and a story inspired in part by Tony Kushner’s seven-and-a-half hour play about the AIDS crisis, Angels in America, and partly by the death of Chris’s mother. Yes, this is a concept album, and a sprawling one, with 20 songs including an 11-minute rumble of anguish called Track 10 (which is actually track seven). Instead of singing, she provides the disembodied voice of a character called “Big Eye”, saying: “Do you suffer from loneliness? This is the voice of the big simulation,” on I Met an Angel, among other hard to follow speeches. ![]() Well now it’s Madonna who has the bit part on the fourth Christine and the Queens album, and rather than increasing this wild collection’s pop appeal, her three cameos only add to the weirdness. The union was pre-planned but still looked more like one of those moments where a fan gets plucked from the audience rather than a meeting of shining stars, even though Madonna had acknowledged the influence of Chris’s choreography on some of her work. Christine and the Queens photographed by Jasa Muller (handout)Ĭhris from Christine and the Queens first met Madonna in 2015, when he was pulled on stage in Paris during a performance of her song Unapologetic Bitch for a dance and, surprisingly, to be unapologetically spanked by the Queen of Pop. ![]()
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